Call and Response

CALL AND RESPONSE

Players: Two or more

Time: 5 minutes

Ability: All  – depending on the complexity of the phrases used

Age: All – especially good for older students.

This is a bit more challenging as it not firstly develops aural skills (in being able to copy a phrase) and then improvising skills (in varying the phrase).  But remember you can start simply and build up to Charlie Parker level complexity.

As the group leader play a passage and have another answer by copying the passage as close as they can.

–          For beginners: Play a phrase just on one note with a rhythm. Always let them know the note you’re starting on.

–          For more advanced: You can play an extended passage

Now play the passage again and see if they can vary one note of it.

Try two notes

Play the passage again and see if the other person can start off copying the first half of the phrase and then finish off with entirely different notes.

Respond with the second half of the phrase and then add in your own second half.

 

So now the student has options they can use with their ‘response’:

–          They can play it exactly

–          They can vary it with only a few notes

–          They can take it to an entirely different place

 

Variations:

–          Play the response note for note but with entirely different rhythms

–          Try transposing the response up by one, two, three etc notes. See what different effects each interval has.

–          If the call is in a major key, answer with the relevant minor key and visa versa

–          Try playing a response in the dominant of the key (you play a C major scale call? Have them response with G major)

Dramatic Dialogues

DRAMATIC DIALOGUES

Players: Best with two, could modify for a group

Time: 5 minutes

Ability: All

Age: All

Now that you have gotten used having a musical conversation and have realised with excitement that it can be just as easy as having a normal conversation it’s time to add some emotion!

Like the Sentence Game, begin by using words and then move to music notes.

Say you’re going to start by taking it in turns saying sentences to each other. This should not take long to get the hang of – don’t spend too long on this step.

Now say music sentences to each other, pretend you’re having a conversation.

Vary the types of conversations you have:

For example:

–          Two friends who haven’t seen each other for ages

–          A teacher yelling at a student

–          A musical fight!

–          A conversation where one instrument has to woo the other

Another variation is to challenge one another with an emotion each turn.

For instance I ask for a “bubbly” sentence, and then when it’s my turn the student can ask for a different emotion (maybe “lazy”)

Variations:

  • Pick two moods and have one transform into the other (e.g. from frightened to peaceful)
  • Add some theory by asking why certain musical ideas create certain emotions: “What about the rhythm makes this sound happy?” “Why does this melody sound sad?” etc

Group Variation:

MUSICAL CHARADES

You could modify this for a group setting like a musical improv version of charades!

Have two or three people get up and have a ‘conversation’ with their instruments under a different theme.

See if the audience (the rest of the class) can guess the emotion or the different characters involved.

NEXT: CALL AND RESPONSE

Want to start improvising? Start with a musical conversation

Music has often been said to be a conversation.

This idea of a musical conversation is a way in to starting improvisation and musical experimentation.

Here are three progressive musical improvisation games that can be used with any instruments. Even better – anyone can do it and will get something out of it from the beginner to the advanced student.

To begin with a dialogue with words, play the Sentence Game.

THE SENTENCE GAME

Players: Best with two, could modify for a group

Time: 5 minutes

Ability: All

Age: All

One person says a word and the next one continues, alternating until someone says FULL STOP and the sentence is complete.

E.g. I stare intently at student, letting the tension build… “The…”

They grin and usually respond with their favourite animal “Giraffe”

“Went”

They have no choice here: “To”

Now I have no choice: “The”

Now the cheeky ones get a bit crazy: “Rollerskating rink!”

“Full stop!”

Then I let them start the next sentence.

Once their having fun with words announce that you’re going to use notes instead of words and that they can choose any note. Stress there’s no right or wrong (some will still freak out a bit, gently insist).

Variations:

  • Try three words/notes at a time (or more)
  • Try using only notes that are next to each other
  • Make the rule you’re NOT allowed notes that are next to each other
  • If you’re working on scales/keys ask for only notes in a certain scale

NEXT: Dramatic Dialogues